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Make the Cut, by Lori Coleman, Diana Friedberg
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Being a successful editor is about more than just knowing how to operate a certain piece of software, or when to make a certain transition. On the contrary, there are many unwritten laws and a sense of propriety that are never discussed or taught in film schools or in other books.
Based on their own experiences, first as upcoming assistant editors, then as successful Hollywood editors, the authors guide you through the ins and outs of establishing yourself as a respected�film and video editor.
Insight is included on an array of technical issues such as script breakdown, prepping for sound effects, organizing camera and sound reports, comparison timings,�assemply footages and more. In addition, they also provide first-hand insight into industry protocol, providing tips on interviewing, etiquette, career planning and more, information you simply won't find in any other book. The book concludes with a chapter featuring Q+A sessions with various established Hollywood editors about what they expect from their assistant editors.
* Cutting insight and tested tips�from 2 established Hollywood editors (combined credits include Cesar Milan: Dog Whisperer, The Simple Life, The Shield, Dawson's Creek) will have you on the path to being a successful assistant editor in no time * Includes discussions with some of the top editors in the industry, sharing their views on what they expect from their assistants in the editing suite * Offers technical info such as the intricacies of digitizing and breaking down a script, as well as practical knowledge on topics like interview preparation and industry ettiquette
- Sales Rank: #1295605 in eBooks
- Published on: 2010-08-01
- Released on: 2010-08-01
- Format: Kindle eBook
Review
"A thorough guide to becoming an indispensable assistant editor."- Alan Heim, Vice President, A.C.E.; Professional film editor (Network, Grey Gardens, American History X, Alpha Dog)
"Make the Cut explains the postproduction editing workflow with utmost clarity and illustrates with abundant examples. Priceless! The book reflects a great depth of knowledge, that clearly has come from years of experience and accumulated wisdom. This book inspires excellence and will provide any aspiring editor with a huge leg up." -- Howard E. Smith, A.C.E.; Professional film editor (Snakes on a Plane, Glengarry Glen Ross, The Abyss)
"This is terrific preparation for anyone who wants to be an assistant editor. �I teach editing at USC and I will certainly have this on my class' reading list. �I will also give it to anyone I hire as an assistant." --Tina Hirsch, A.C.E.
From the Back Cover
"Make the Cut explains the postproduction editing workflow with utmost clarity and illustrates with abundant examples. Priceless! The book reflects a great depth of knowledge, that clearly has come from years of experience and accumulated wisdom. This book inspires excellence and will provide any aspiring editor with a huge leg up." -- Howard E. Smith, A.C.E.; Professional film editor (Snake on a Plane, Glengarry Glen Ross, The Abyss)
"A thorough guide to becoming an indispensable assistant editor."
-- Alan Heim, Vice President, A.C.E.; Professional film editor (Network, Grey Gardens, American History X, Alpha Dog)
The key to becoming a successful film, TV, or video editor starts with becoming a successful assistant editor. To do so, one must navigate the many unwritten laws and senses of propriety that are never discussed or taught in film schools or in other books.
Based on their own experiences, first as upcoming assistant editors, then as successful Hollywood-based film and TV editors, authors Lori Jane Coleman and Diana Friedberg share their sage wisdom on how to become a successful assistant editor.
Insight is included on an array of technical issues such as script breakdown, prepping for sound effects, organizing camera and sound reports, comparison timings, assembly footages and more. In addition, they also provide first-hand insight into industry protocol, providing tips on interviewing, etiquette, career planning and more, information you simply won't find in any other book. The book concludes with a chapter featuring Q+A sessions with various established Hollywood editors about what they expect from their assistant editors.
Lori Jane Coleman, A.C.E. began her career as an assistant editor working on films such as Fun with Dick and Jane (original), Up in Smoke, and Which Way Is Up?. She's spent the last 25+ years as an editor and/or producer on a range of feature films and shows including Dawson's Creek, The Practice, and The Shield.
Diana Friedberg, A.C.E. has over 4 decades of professional experience in the motion picture and television industry as an editor and producer. Her work includes a broad range of productions including "The Man Who Broke a Thousand Chains" for HBO, "Dog Whisperer" for National Geographic, and "A Simple Life:" starring Paris Hilton for MTV, plus over 200 documentaries.
About the Author
LORI JANE COLEMAN, A.C.E. Lori Jane Coleman, A.C.E. began her career assisting Danford Greene, A.C.E. and Lou Lombardo, A.C.E. on films such as Fun with Dick and Jane, Which Way Is Up? and Up in Smoke. She has won two Eddie Awards from A.C.E. for The Deliberate Stranger (directed by Marvin Chomsky) and Chicago Hope - the Pilot (directed by Michael Pressman and written by David E. Kelley) and has one Emmy nomination. She has worked as an editor on a range of feature films and shows including Dawson's Creek, The Practice, and The Shield. Lori Jane got her 'break' while assisting Bud Isaacs, A.C.E., on Thou Shalt Not Commit Adultery (directed by Delbert Mann (Academy award for Marty 1955)) and moved up to editor at the age of 24. She worked as Assistant Editor at American International Pictures (A.I.P) in 1973 and joined the Film Editors Guild in 1974 with the help of Salvatore Billiterri (Head of Post Production) and James Honore (Assistanthead of Post). After four films, Ebony, Ivory and Jade, Sheba Baby (Pam Grier), Cooley High (Michael Schultz' directorial debut), and Return to Macon County Line, Lori took an apprentice job at Columbia Studios for Danford B. Greene, A.C.E., on Fun With Dick and Jane (George Segal, Jane Fonda), followed by assisting Greene on Outlaw Blues (Susan St. James and Peter Fonda), and Which Way Is Up? (Richard Pryor, directed by Michael Schultz).
DIANA FRIEDBERG, A.C.E. Diana Friedberg A.C.E. was born in South Africa and began her film career after graduating with a degree in drama from the University of Cape Town in 1967. On-the-job training as a film editor soon led her to England where she interned at Pinewood Studios on feature film productions. After returning to South Africa at the end of 1969 she edited over 21 feature films, hundreds of hours of episodic television, animation series, documentary series and commercials. She has the distinction of being the first women to direct a feature film in South Africa. A Master of Fine Arts degree in Cinema from the University of Southern California (USC) followed in 1976. She returned to South Africa to teach a course in filmmaking which she initiated at the University of the Witwatersrand in Johannesburg and continued producing television documentary series and dramatic series with her husband, Lionel Friedberg. In 1986 she relocated to Los Angeles with her family where she successfully pursued a career as a film editor and a producer. Feature films, educational films for companies such as Disney and National Geographic and many groundbreaking shows for cable followed. She was invited to become a member of the distinguished American Cinema Editors (A.C.E.) and has continued to be active on the Intern Program, training young students in the art and craft of editing. Her latest contribution to the film world has been a five-part documentary series entitled World on a String. As a labor of love, Diana picked up a camera and traveled to some of the remotest parts of the planet in over 30 countries to realize her dream of telling the amazing anthropological story of role of beads in society over the period of 100,000 years. The series has already garnered worldwide recognition and won 29 awards adding to her list of awards for other films in various genres.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Required reading for aspiring film and TV editors
By Jeff Cenkner
Lori Jane Coleman and Diana Friedberg's book "Make The Cut" is an incredibly invaluable resource, packed with detailed and useful information about how to become an assistant editor, what to do when you are one, and how to move up and away from being one once you're ready to do so.
The first chapter covers briefly, yet effectively, how best to prepare for and obtain an assistant editing job. The remaining bulk of the book gets right down to business, going over the myriad duties and assignments typical of an assistant in TV or film. I think the best way to put it is that this book "demystifies" the role of an assistant editor by getting down to the nitty gritty details of what they actually do on a daily basis. It's something I've always wondered myself, even as a film school grad. Most film schools typically train students in the basic uses of NLE software, teaching them how to cut for themselves, which is fine... until the student heads to Hollywood and realizes that no one is going to hire him as an editor until he pays his dues as an apprentice or assistant. Knowing how to cut doesn't necessarily mean that you'll know how to assist. As our authors clearly illustrate, assistant editing is an entirely specialized role of its own.
After covering the basics, from handling dailies to prepping for the online cut, the book delves into potential differences among genres, such as documentaries and reality TV, using helpful screencaps from both Avid and Final Cut Pro systems. It also wisely ventures into some of the most common unwritten rules of the editing room, offering tips in ways to navigate tricky politics and personality conflicts. And lastly, it discusses the various ways in which a career can be molded in the post industry.
I'd highly recommend this book to anyone who's serious about approaching film/TV editing as a career. It offers up a wealth of specific and relevant information pertaining to the world of assistant editing, delivered by two talented and experienced ACE editors.
3 of 3 people found the following review helpful.
A comprehensive look at film editing.
By Paulo Leite
This book is a valuable and comprehensive look at the task of film editing. It covers all the technical issues and whys. It does not go too much into the artistic side of film editing because it is aimed at those looking for a more technical knowledge.
I recommend this book for:
- Film editing students.
- Independent Producers.
- Anyone who needs to know the basis of post-production.
2 of 2 people found the following review helpful.
Rids you of any illusions
By Christina Paul
Every once in a while there comes along a book that is short, sweet and profoundly gets to the things that you really need to know. "Make the Cut" is just that kind of a book. It doesn't waste the reader's time in how-to techniques of editing. The authors assume that you already have learned that part and are now trying to land in a good spot with those skills.
This book is great in it gives advice of how to organize your editing tasks from the first day on the job to day-to-day advice that SHOULD be common sense to anyone who wants to enter into the crazy-making business of film. Unfortunately, howwever, you very rarely have anyone teach you that in film school. Authors Lori Jane Coleman A.C.E. and Diana Friedberg A.C.E. do a very good job in giving tips to keep a would-be assistant editor organized and on task. I really liked the break down of oranizing and documenting what it is that you are editing with continuity schedules. The included tables, script supervisor production report templates and prep schedule, sound editor and other included templates were very helpful. This book has a great deal of film, television and media specific business advice as to the unwritten rules of the editing room, upward mobility, money management and planning your career in the film industry to take the next important and crucial steps. This is something that is not covered nearly enough and Coleman and Friedberg do a very good job of driving that point home. There are no crybabies in this business, and loyalty to your boss and the company and making them look good, even if you never get credit is key.
For those who do not want to necessarily be an assistant editor, "Make the Cut" is a really well grounded, experience backed book that can help film students, directors, producers or anyone who is truly interested in the business of film and/or television.
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